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Tom said:I, Robot was nowt special Brian, hardly fantastic.
Hakeem said:it was way too dark (cinematographically speaking) and slow paced
Virgo said:the original isn't really an action film, more like a Sci-Fi horror film and yes I think Aliens is technically a better film than the original, although the plot is much thinner obviously.
But I'd say they're on par overall.
Makes my blood curdle when I see you criticizing great comic book adaptations, probably the greatest visually, like The Crow and praising trash like XMen.
Virgo said:it's comic books directed for mature audience, not Marvel or DC comics kiddie stuff.
The first time I have ever been to The Odeon in Sheffield. It's quite possibly the weirdest feeling when you go to the cinema on your own, but worse than that, it's even more complicatedly depressing when there isn't anyone else in the entire cinema. Very weird indeed...
Lucky Number Slevin stars Josh Hartnett as Slevin, a man well and truly in the wrong place, and certainly at the wrong time. As he describes "bad things coming in threes", Slevin finds himself dumped by his cheating girlfriend, losing his job, and being mugged, only to find himself in an even worse situation. He quickly realises he is in the middle of a gang war between the rivalling crime-lords of 'The Rabbi' and 'The Boss'. With only the hapless yet loveable neighbour Lindsay by his side and a puzzling man known as "Smith" appearing at random intervals, is the stage set for Slevin to make what could be a very awkward getaway, or might he know just a little more than he's letting on?
Lindsay is played by Lucy Liu and its somewhat of an eccentric character, Liu is good in what unfortunately turns out to be more of a minor role. 'The Boss' and 'The Rabbi' are played by Morgan Freeman and Ben Kingsley respectively. Both show their individual class in the parts and link up well with Hartnett (40 Days and 40 Nights) when required, unfortunately their final 'coming-together' lacks the kind of panache you were hoping for earlier in the film, but surely this is only a minor blemish in what are otherwise two excellent performances.
Directed by Paul McGuigan (Wicker Park), the film provides all the style and confidence it's trailer's promise, he captures the audience's eye with beautifully framed shots and some intelligent cutting. On the whole the acting is sublime with only a few discrepancies, Bruce Willis as 'Smith' is particularly predictable, indeed, I half expected Hartnett to be equally poor in such a big role, but he has the right amount of humour and emotion to be perfect for the part, in the end he carries off the position sublimely, and its a great casting decision for what is a very unusual character.
Of course the film isn't without its problems, plot twists-and-turns often end up confusing the audience before what then turns out to be an over-simplified ending, the major plot shocks are not so much predictable, but not wonderfully surprising either. Confusing moments in the earlier sections of the film are only explained in some of the final scenes, and while this is on one hand rewarding and satisfying, one cant help but think it sweeps back to some form of 'Scooby Doo' episode, where the rest of the story was explained in the final minute.
Another slight problem that may put off more conventional audiences is its genre, at times the movie stems back to a normal thriller/crime film, and at times it has all the humour and style of Oceans Eleven, but in the end it sticks firmly in the centre, hovering between both and never totally deciding where it lies. However, despite these relatively minor criticisms and my annoyances towards the role of Smith, Lucky Number Slevin turns out to be fantastic movie, full of style the film also shows a hidden depth to what at first seems a hollow interior. Sharp, elegant and beautifully finished, Lucky Number Slevin is a real gem for this year, and I urge you to go and see it.
4/5 - innovatively predictable; that's a compliment...